Arts

With three TIFF screenings under my belt as of midmorning Friday, I've begun to realize that I've been picking my films based on a few highly personal likes: narrative intensity, rich visuals, inventive compositions and maybe a few other variables. Here's what I mean:

Rarely will you see a film that spends as much time looking at the back of its lead's head as Children Of Sarajevo, which won a special award from the jury at Cannes earlier this year.

Half of the Pop Culture Happy Hour crew is scattered to the four winds — if, by "the four winds," you mean "an assortment of movie theaters in Toronto" — but before parting ways, the old gang met up to discuss a question that's been vexing me. What are the tipping points, I vex, that push various forms of entertainment over the line between "long enough" and "too long"?

It's perhaps a testament to my resistance to this material that I've never felt moved to read Jack Kerouac's On The Road, but I have to suspect it's better than this disappointing adaptation, or at least more interesting.

The story of the Arkansas murder trials of Damien Echols, Jason Baldwin, and Jessie Misskelley — the men known as the "West Memphis Three" — has already been the topic of the three well-known documentaries in the Paradise Lost series made for HBO by Joe Berlinger and Bruce Sinofsky. Those films, in fact, helped the case come to the attention of many of the people whose work ultimately resulted in the three defendants' release from prison in 2011.

[Monkey See will be at the Toronto International Film Festival through the middle of next week. We'll be bringing you our takes on films both large and small, from people both well-known and not.]