Arts

At the moment Rusty, the young protagonist of The Bartender's Tale, is rescued from his Aunt Marge's house in Phoenix, author Ivan Doig cranks into motion a dense valentine of a novel about a father and a small town at the start of the 1960s. Rusty's liberator is also his father, Tom Harry, the august bartender and proprietor of the Medicine Lodge bar in Gros Ventre, Mont. Tom is the archetypical flinty Western bartender, slinging beers and shots of wisdom cultivated from a less than perfect life.

My dad used to sing to me an old folk song before I went to sleep. One of my favorite verses went:

Peaches in the summertime, apples in the fall.

If I can't have the one I love, I won't have none at all.

I still like that lyric for its simplicity and its assertion of seasonal eating at a time when that was unquestioned. You ate fresh apples in the fall (and probably storage apples through the winter) and peaches all summer. Love could be fleeting and unreliable, but autumn apples and summer peaches would always be there.

Set in contemporary Denmark and in Thailand, Mads Matthiesen's Teddy Bear is a sweetly muted domestic drama struggling to contain a fierce and ancient folk tale.

The hero, Dennis — a 300-pound bodybuilder with a lovable touch of Shrek — has an absent father and a tiny witch of a mother whose parenting is a twisted cocktail of dominatrix and coquette. (If your mother conducted bathroom business with you alongside at age 38, you'd have issues too.)

In 1964, students at the University of California, Berkeley, formed a protest movement to repeal a campus rule banning students from engaging in political activities.

Then-FBI Director J. Edgar Hoover suspected the free speech movement to be evidence of a Communist plot to disrupt U.S. campuses. He "had long been concerned about alleged subversion within the education field," journalist Seth Rosenfeld tells Fresh Air's Terry Gross.

If you've spent even a few minutes watching a telenovela, or Latin American soap opera, you're familiar with some of the archetypes: the swarthy, good-looking country man; the maid; the poor peasant woman (generally devoid of indigenous features); the evil rich girl, etc. For better or worse, it's a huge part of Latino culture, and photographer Stefan Ruiz wanted to document it.