In the 1960s, protest singer Rodriguez didn't find an audience in the United States. Unbeknownst to him, though, one of his albums became a massive success in South Africa. Swedish director Malik Bendjelloul tracks him down in Searching for Sugar Man.
Credit Sony Pictures Classics
Rodriguez was discovered in a Detroit dive bar by producers who mostly worked with Motown artists but thought his lyrics would relate to the protesters of the times.
In 1968, two music producers went to a Detroit dive called The Sewer to hear a Mexican-American protest singer with a small cult following.
The producers' client list was mostly Motown, but they immediately signed Rodriguez (full name Sixto Rodriguez), whose stirring lyrics they hoped would speak to disenfranchised outsiders of all stripes and their champions.
Together, they made two albums — one of which, Cold Fact, provides the soundtrack for the thrilling new documentary Searching for Sugar Man.
The savings are never passed on to the consumer, but a little product placement has become standard practice for Hollywood movies — a pizza box here or a conspicuously angled soda can there, and few take notice. But product integration is another matter: If a movie has been explicitly designed to accommodate a sponsor, it's worse than just a commercial movie. It's a movie commercial.
I'm Michel Martin, and this is TELL ME MORE, from NPR News. Coming up, actor Anthony Mackie stars in this summer's fantasy thriller, "Abraham Lincoln, Vampire Hunter," but what's the movie that Mackie could watch over and over again? We'll find out in a few minutes.
Originally published on Mon October 15, 2012 10:24 am
If you've ever tuned in to TV shows like HGTV's House Hunters, you've heard many an aspirational "hunter" lamenting the woes of a home without kitchen upgrades: They want to know, where are the granite countertops, stainless steel appliances, high-end fixtures, and custom cabinets?
Although Ai Weiwei's art is internationally recognized, much of his worldwide fame comes from his political activism in China. The latter is the focus of Alison Klayman's documentary Ai Weiwei: Never Sorry.
A couple of months ago, I visited Beijing, and like so many before me, I was stunned by how hypercapitalist Communist China has become — the hundreds of glossy highrises, the countless shops selling Prada and Apple, the traffic jams filled with brand new Audis. You felt you could be in L.A. or Tokyo — until you wanted some information. Then you discovered that Facebook was permanently blocked, certain words in Google searches always crashed your browser, and, as my wife joked, it was easier to buy a Rolls-Royce than a real newspaper. Here was a country at once booming — and repressive.
We're about a week into the Television Critics Association press tour for this summer, and so far we've heard from PBS, NBC and Fox. Still to come: ABC (today and tomorrow), CBS/Showtime/The CW (Sunday and Monday), and the rest of cable, including HBO, Discovery, BBC America, ESPN, and so on (Wednesday through Friday of next week).
Originally published on Thu August 2, 2012 11:23 am
Home is everything. It's where we come from and where we run to, wanting to start anew. But it's also that place we can't escape, the one that's so much a part of us that no matter how old we get, it's impossible to erase its presence from our memories, our bodies.
Andy Cohen on the set of his nightly Bravo talk show, Watch What Happens: Live. Cohen is also Bravo's executive vice president of development and talent, and has helped make Bravo a pop-culture heavyweight.