Arts

Transcript

MICHEL MARTIN, HOST:

I'm Michel Martin and this is TELL ME MORE from NPR News. For the end of our program today, we want to talk about two aspects of American style. In a few minutes, we're going to talk about tattoos. They used to be something you got when you went into the Army or to jail, but now they've gone mainstream. We'll talk with a leading tattoo artist about that in just a minute.

America has a love/hate relationship with tattoos, but body ink is becoming more and more mainstream. Host Michel Martin speaks with Fatty, the owner of Fatty's Custom Tattooz in Washington, D.C, about America's fascination with tattoos, and the fading cultural taboos.

This week Chancellor Kent Hance offers tips about job hunting, how to interview and why you should always be ready for anything!

The daily lowdown on books, publishing, and the occasional author behaving badly.

Chimamanda Ngozi Adichie's fourth book, Americanah, is so smart about so many subjects that to call it a novel about being black in the 21st century doesn't even begin to convey its luxurious heft and scope. Americanah is indeed a novel about being black in the 21st century — in America, Great Britain and Africa, while answering a want ad, choosing a lover, hailing a cab, eating collard greens, watching Barack Obama on television — but you could also call it a novel of immigration and dislocation, just about every page tinged with faint loneliness.

Arrested Development returning via Netflix? Just another old-media brand reviving itself on new media.

The TV show, which originally ran on Fox from 2003 to 2006 and unveils new episodes on Netflix next weekend, finds itself in splendid company. Radiohead, Louis C.K., Veronica Mars — all found their audiences with promotion and distribution from big studios and networks. Radiohead was signed to a major music label. Louis C.K. enjoyed HBO specials and TV shows. And Veronica Mars ran on two TV networks for three years.