Originally published on Wed October 17, 2012 9:56 am
About a decade ago, a duo named Digital Mystikz put out a series of 12" singles on its label, DMZ. The group's music was a hybrid of a number of influences including dub, reggae, drum and bass, grime and two-step, and as the decade wore on, "dubstep" became the name for this uniquely British combination. In the late 2000s and early 2010s, dubstep was embraced by producers in America, who honed in on the aggressive mid- and low-range synths of the tracks coming out of London to make high energy festival jams.
Originally published on Fri September 21, 2012 4:07 pm
When the Americana Music Association convenes in Nashville on Sept. 12-15 for its annual conference, it'll be met by another incredible year of festival performances and showcases. While the daytime panels and discussions reflect the organization's dedication to its mission, the nighttime showcases, parties and concerts are what will make the passion of the genre so difficult to ignore.
Originally published on Wed September 12, 2012 5:11 pm
When Bloc Party performed this live session for KCRW, it was the first time any of us had heard songs from the band's latest album, Four, aside from the single "Octopus." While "Octopus" is a driving, punk-infused dance track similar to Bloc Party's previous work, the rest of Four seemed more influenced by '90s rock and metal. It was one of the loudest live sessions KCRW has hosted in recent memory, and that's a compliment.
Originally published on Wed October 17, 2012 9:58 am
It turns out people really like The Beatles! Every record we've featured from the fab four have consistently rated higher than any other albums in these polls. According to last week's, 85 percent of you love Revolver.
For Tell Me More's occasional "In Your Ear" series, guests of the program talk about songs they go to for inspiration or just to let loose. Comedian Bill Bellamy turns to Maroon 5's "Moves Like Jagger," and goes into Risky Business style dancing in his living room.
Originally published on Wed September 12, 2012 7:38 am
We were about to call it. The band was running late, our phone service wasn't working well backstage in the remoteness of the Sasquatch Music Festival in rural Washington state, and the next band was about to begin on the main stage nearby — thus making the prospect of a Field Recording impossible. Then, suddenly, a white van rolled up, straight from the main gate, and out popped six musicians with stringed and brass instruments.