The music of Solas is always exciting perhaps because it's constantly evolving. Meet Seamus Egan and Win Horan who chat about their roles in shaping Irish-America's most influential band and share loads of their music with us.
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It's clear Chris Thile has an ear for music: The 31-year-old mandolinist, best known for his bands Nickel Creek and Punch Brothers, has been playing music his entire life.
Together nearly 30 years, the reggae band Third World is one Jamaica's most popular and decorated musical acts, with listeners around the world and 10 Grammy nominations to its name. Partly responsible for mainstreaming reggae music, the group formed in 1973 and built a solid following playing the Kingston reggae scene, making its debut at Jamaica's Independence Day celebration.
A performer who perhaps best personifies the genre known as Americana, Jim Lauderdale has seen success in both country music and bluegrass. As a young man, Lauderdale studied acting at the North Carolina School of the Arts, but before long found himself in a music career that would take him all over the American soundscape.
We're a few weeks and a few polls into our summer search for the albums everyone can love, and so far the results have challenged some of our long-held assumptions. Most of you have never heard Glen Hansard and Marketa Irglova's soundtrack to the film Once(we thought it was wildly popular).
Getting friends into new music, especially from unfamiliar or otherwise forbidding genres, can be a feat of arm-twisting — of variations on ways to yell, "Listen to this, dummy!" Sami Yenigun, who works on the NPR Arts Desk and pops up frequently on All Songs Considered, is constantly agitating on behalf of electronic and dance music, so he jumps all over questions like, "What song do you love right now?"
The Village Vanguard's awning and sign have become iconic among jazz aficionados.
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Musicians think they've made it when they've headlined at the Vanguard, but true success is earning a permanent place on the wall.
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Max Gordon once described the Vanguard's patrons as "poets, WPA writers, hustlers, insomniacs, college students from the Bronx and Brooklyn, broads on the make, musicians and moochers, all of them crowding the place every night to let off steam." That's a lot of people.
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The clearly marked but winding trail to the men's room was immortalized in the title of Chris Potter's album Follow the Red Line, recorded live at the club and released in 2007. Along the way, it snakes past the Vanguard's famed kitchen, which now doubles as both office and green room.
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The Vanguard's skinny red awning offers little in the way of shelter, but that's hardly the point. It lends the basement club curb appeal and leads straight to its bright red doors.
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If you wish to enter this sacred jazz site, your rite of passage will be to navigate the perilously steep red stairwell. Suggestion: Use the handrails.
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Jazz club owners rarely seem to inspire warm and fuzzy feelings. That's why it's so impressive that the corner of 7th Avenue South and Perry Street, just a few feet from the Village Vanguard's entrance, was named for beloved club founder Max Gordon back in 1996.
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Of course, there's also a cover charge if you want to get in, but it's a steal by New York standards ($25 with a $5 drink minimum, $20 for students for the late set on weeknights). Although the club remains old-school — no food, no talking, no frills — it did start accepting credit cards last year.
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In the interest of accommodating lots of people, tables and chairs should take up as little real estate as humanly possible.
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Protected from the glare of sunlight, the little wedge-shaped room is peaceful in the afternoon. Musicians will sometimes come to practice here, among the spirits of jazz past, before their performances in the evening.
Originally published on Tue September 18, 2012 3:41 pm
For New York Polyphony, it's location, location, location. The four-man vocal ensemble thrives on music from the Renaissance, much of it designed for cavernous, reverberant spaces. Think voices soaring through arched cathedrals. But madrigals by Flemish composer Orlando di Lasso, with their more intimate storytelling vibe, are suited for smaller venues — like, say, the living room of New York Polyphony bass Craig Phillips.
A Blog Supreme's editor — um, hello — is now away on vacation. But A Blog Supreme will still be active with features from NPR Music partners, so don't go anywhere.