I adore this song, and the video makes me love it all the more. "Green Blood" is from Sonny and the Sunsets' new album, Antenna to the Afterworld. It's a record filled with cinematic tales, told simply with guitars, bass and drums. And none of those tales are told as endearingly as they are in this song and video about love on a distant planet.
When singer-songwriter India.Arie broke through in 2001, her debut album Acoustic Soul went double platinum, and her music and influence continued to gain momentum in the years that followed. Since her debut, she's been nominated for 21 Grammys — and won four — while selling 10 million albums worldwide.
The trio of Joe Dyson (drums), Max Moran (bass) and Conun Pappas (piano) met in New Orleans' performing-arts high school, and have all gone on to careers in music. Together, they've worked as Donald Harrison's rhythm section before they could legally drink, and in 2012 released a self-titled debut album as The Bridge Trio. Their new-school inspirations and grounding in New Orleans' musical community result in a precociously mature sound.
We get a lot of mail at NPR Music, and amid the American Girl catalogs we never ordered is a slew of smart questions about how music fits into our lives — and, this week, how first-time music-festival attendees can survive and thrive in an overwhelming setting.
Kendall Levinson writes: "Any advice for a young person going to his or her first music festival this summer? Any tips for preparation or survival would be appreciated."
Originally from Minneapolis, José James began chasing his dreams of jazz singing at 17. He found his way to London and New York, and eventually ended up at The New School to study jazz vocals. James was always interested in a musical place where jazz, R&B, hip-hop and more can all come together.
"Plastic Cup," the moody opening cut to Low's latest album, The Invisible Way, recalls a friend's substance abuse, a lifetime of dependence on others and a soul-crushing future of pointless drug tests. But in a strange new video for the song, director Ryley Fogg takes those themes in a dark and curious direction. Creepy, hooded figures intercut with black-and-white images of the band performing in period costumes.