Sometimes all you need for a banging dance track is an unstoppable rhythm and a nuanced hook. Tweak the hook every couple bars, don't mess with the beat too much, and you've got a potential stomper on your hands.
Eddie Palmieri has been a force for Latin jazz since the 1950s, when he hosted the legendary mambo shows at New York's Palladium Ballroom. His groups, including the renowned La Perfecta, revolutionized Latin music in the 1960s and '70s. His records number more than 30 as a leader, and he's won nine Grammy Awards. At 76, Palmieri is still a foremost ambassador for the music he loves.
Soprano Jennifer Zetlan sang two early Muhly songs, plus an excerpt from his opera Two Boys, a Metropolitan Opera commission that will receive its U.S. premier this October at the Met.
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Muhly opened the show with A Hudson Cycle (for solo piano) which he composed as a wedding gift for friends and describes as, "music of longing and anticipation."
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Violist Nadia Sirota is a long-time Muhly collaborator. She performed Muhly's Etude 3, a piece Muhly wrote for her which also appears on her latest album, Baroque.
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The wonderful indie folk singer Sam Amidon was something of a surprise guest on the program. His three song set included what he called "a murder ballad," which was punctuated by a long and terrific scream.
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Nico Muhly, one of the most talked-about and widely heard composers today, gathered a group of friends to perform at the (Le) Poisson Rouge in Manhattan. Muhly labeled the show: "Things I love, things my friends love, and things I've written."
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Violinist Jennifer Chun (and her sister Jennifer) joined for a performance of Muhly's Honest Music, a piece from 2002 originally for violin and prerecorded music.
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For his piece Skip Town, Muhly processed the piano, giving it a kind of ramshackle feel — half way between a harpsichord and a honky-tonk piano.
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Angela Chun performs Muhly's Honest Music, the fragmentary nature which has been described as "the sad beauty of things coming together and things falling apart."
Opera audiences are well acquainted with all manners of intrigue — whether political, romantic or psychological. The exciting American composer Nico Muhly is updating that paradigm to the 21st century with his opera Two Boys.
Calvin Cooke, Aubrey Ghent and brothers Darrick and Chuck Campbell are The Slide Brothers. The band's self-titled album debut album was produced by Robert Randolph, the spectacular young pedal-steel guitarist who became the first player from the Sacred Steel tradition to break out to a wider audience.
On this installment of World Café, the band plays three songs from its album and tells host David Dye about the difference between performing for the congregation at Church of the Living God and playing on club and concert stages.
The Down Hill Strugglers' members make their first appearance on Mountain Stage, recorded in partnership with the Birthplace of Country Music in Bristol, Tenn./Va. The location was appropriate: In many ways, the band's music wouldn't have sounded out of place in the 1927 Bristol Sessions that Ralph Peer engineered.
Formerly known as The Dust Busters, the Brooklyn trio became The Down Hill Strugglers after a recent lineup change. The group's music encompasses a wide range of traditional string-band styles, from fiddle tunes to Scots-Irish ballads to African music.
Earlier this year, the clarinetist and composer Ben Goldberg released two remarkable albums with two almost entirely different bands. Goldberg has left a mark in many modern improvising contexts, including the New Klezmer Trio he co-founded and the Tin Hat chamber ensemble.
We love mothers for all the Hallmark reasons: for their compassion and patience, not to mention giving birth. But some moms aren't exactly greeting card friendly — and none less so than those who live in the opera house.
This is opera, after all, so we expect the outrageous. But operatic moms seem to be disproportionately portrayed as murderers, harpies or generally women on the verge of a nervous breakdown. Your Normas, Medeas, Butterflies, Queens of the Night and Clytemnestras.
We get a lot of mail at NPR Music, and amid the ironic promotional cassingles is a slew of smart questions about how music fits into our lives — and, this week, how a regretful fan of vinyl records can re-create her discarded collection.
Kirsten Elbourne Mathieson writes: "I'm big-time regretting getting rid of all of my record albums years ago. Any advice for someone starting from scratch with vinyl after all these years? What albums must be heard on vinyl rather than CD/digital?"
Now we turn to a segment we call In Your Ear. Sometimes, after we've asked our guest about their work, we ask them about the music they listen to while they relax or play. Today, we hear from Ambassador Ron Kirk. He recently stepped down as United States Trade representative. But we caught up with him shortly before he left his post, and here's what he had to say about the music that kept him moving.
RON KIRK: Right now on now I'm enjoying "Once In A Lifetime" by Smokie Norful.
If you've ever been poolside on a hot day, you know what it's like to have your senses bombarded with leisure; to feel the sun radiating and shimmering off everything around you. Watch the first few moments of this Field Recording, with its bobbing inner tubes and lounging vacationers, and you can practically smell the spots where chlorine meets concrete. We filmed the band late one morning at the Ace Hotel in Palm Springs — a setting that also produced an eager dancer, assorted rubberneckers and one particularly agreeable dog.